{"id":11125,"date":"2025-07-12T11:34:50","date_gmt":"2025-07-12T09:34:50","guid":{"rendered":"https:\/\/www.nonsolomusicamagazine.it\/?p=11125"},"modified":"2025-07-12T11:34:52","modified_gmt":"2025-07-12T09:34:52","slug":"propagandopolis-mussolini-ha-sempre-ragione-roma-1938","status":"publish","type":"post","link":"https:\/\/www.nonsolomusicamagazine.it\/?p=11125","title":{"rendered":"Propagandopolis: Mussolini ha sempre ragione (Roma 1938)"},"content":{"rendered":"\n

ma.bu.<\/em><\/p>\n\n\n\n

Propagandopolis, pagina social dedicata all’arte della propaganda politica e militare contemporanea, approda nell’Italia prebellica del fascismo.<\/p>\n\n\n\n

Ecco dunque “Mussolini ha sempre ragione” \u2014 Ingresso della mostra sull’autarchia italiana, tenutasi a Roma nel 1938. La facciata in alluminio fu progettata da Romeo Gregori e raffigura un’aquila con la grande scritta “Autarchia” in alto.<\/p>\n\n\n\n

L’artista<\/h5>\n\n\n\n

Romeo Gregori (Carrara 1900-Roma 1940) fu uno dei pi\u00f9 significativi scultori italiani della prima met\u00e0 del XX secolo, rappresentante di una generazione di artisti che seppe coniugare tradizione e modernit\u00e0 nell’arte italiana.<\/p>\n\n\n\n

L’opera di Gregori si caratterizzava per un doppio registro espressivo: da un lato un linguaggio monumentale e retorico, rispondente all’estetica dell’epoca fascista, dall’altro un arcaismo popolare e quotidiano che lo distingueva come artista di tendenza moderna ed equilibrata.Tra le sue opere pi\u00f9 significative la Cleopatra morente (1926), ispirata alle sculture di Bistolfi e Wildt, e i ritratti caratterizzati da un forte realismo, come la Testa di cavatore apuano (1932) e la Testa di macellaio romano (1933), che testimoniano la sua capacit\u00e0 di rappresentare la realt\u00e0 quotidiana e popolare con grande maestria tecnica.<\/p>\n\n\n\n

Oltre all’attivit\u00e0 artistica, Gregori si distinse per la collaborazione con enti pubblici e privati. Realizz\u00f2 numerose opere decorative per lo Stato, dagli apparati effimeri per le esposizioni nazionali alle sculture monumentali.<\/p>\n\n\n\n

\"\"<\/figure>\n","protected":false},"excerpt":{"rendered":"

ma.bu. Propagandopolis, pagina social dedicata all’arte della propaganda politica e militare contemporanea, approda nell’Italia prebellica del fascismo. Ecco dunque “Mussolini ha sempre ragione” \u2014 Ingresso della mostra sull’autarchia italiana, tenutasi a Roma nel 1938. La facciata in alluminio fu progettata da Romeo Gregori e raffigura un’aquila con la grande scritta “Autarchia” in alto. L’artista Romeo […]<\/p>\n","protected":false},"author":1,"featured_media":11126,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1069,1321],"tags":[4524,2586,185,4525],"class_list":["post-11125","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arte","category-storia","tag-autarchia","tag-fascismo","tag-propagandopolis","tag-romeo-gregori"],"yoast_head":"\nPropagandopolis: Mussolini ha sempre ragione (Roma 1938) - NonSoloMusicaMagazine<\/title>\n<meta name=\"description\" content=\"Propagandopolis: Mussolini ha sempre ragione (Roma 1938)\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.nonsolomusicamagazine.it\/?p=11125\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Propagandopolis: Mussolini ha sempre ragione (Roma 1938) - 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