{"id":6621,"date":"2024-07-09T15:40:41","date_gmt":"2024-07-09T15:40:41","guid":{"rendered":"https:\/\/www.nonsolomusicamagazine.it\/?p=6621"},"modified":"2024-07-09T15:40:42","modified_gmt":"2024-07-09T15:40:42","slug":"vinicius-de-moraes-tra-bossa-nova-e-diplomazia","status":"publish","type":"post","link":"https:\/\/www.nonsolomusicamagazine.it\/?p=6621","title":{"rendered":"Vinicius de Moraes, tra Bossa Nova e diplomazia"},"content":{"rendered":"\n<p class=\"has-text-align-center\"><strong>Manuel M. Buccarella<\/strong><\/p>\n\n\n\n<p>Vinicius de Moraes \u00e8 stato un cantautore, musicista, scrittore e diplomatico brasiliano. <\/p>\n\n\n\n<p>Con Ant\u00f4nio Carlos Jobim scrive nel 1958 \u201cChega de saudade\u201d, portata al successo da Jo\u00e3o Gilberto con Bim-bom sul lato B del 78 giri, considerata il brano che ha dato inizio alla Bossa nova brasiliana.La Bossa nova viene fuori, verso la fine degli anni 50, dall\u2019incontro della musica jazz nordamericana, molto seguita in Brasile, con la tradizione musicale ed i ritmi pi\u00f9 propriamente brasiliani. Il risultato \u00e8 fortemente positivo, tanto che la Bossa nova gode ancora oggi di seguito e positivo riscontro sia nel pubblico che nella critica.<\/p>\n\n\n\n<p>Scrittore e musicista brasiliano (Rio de Janeiro 1913 \u2013 Rio de Janeiro 9 luglio 1980), a lungo funzionario ministeriale e rappresentante diplomatico (1943-69), Vinicio de Moraes si occup\u00f2 anche di critica cinematografica. Esord\u00ec come poeta nel 1933 con \u201cO caminho para a dist\u00e2ncia, cui fecero seguito \u201cForma e exegese (1953); \u201cAriana, a mulher\u201d (1936); \u201cNovos poemas\u201d (1938); \u201cCinco elegias (1943). Con \u201cPoemas, sonetos e baladas\u201d (1946) e \u201cP\u00e1tria minha\u201d (1949) si apr\u00ec una seconda fase, pi\u00f9 libera e personale, della sua poesia. In seguito l\u2019incontro con i pi\u00f9 noti musicisti brasiliani lo port\u00f2 a occuparsi di samba e a innovare radicalmente, spesso in collaborazione con A. C. Jobim, la Bossa nova (a partire da \u201cChega de saudade\u201d, 1958). \u00c8 anche autore del dramma musicale \u201cOrfeu da Concei\u00e7\u00e3o\u201d (1956), da cui M. Camus trasse il film \u201cOrfeu negro\u201d (1959). <\/p>\n\n\n\n<p>Ha pubblicato vari altri volumi di versi (\u201cAntologia po\u00e9tica, 1954; \u201cLivro de sonetos, 1957; \u201cNovos poemas II\u201d, 1959; \u201cPara viver un grande amor\u201d, 1965; P\u00e0tria minha. \u201cDesespero da piedade\u201d, 1971) e di prosa (\u201cPara una menina con una flor,\u201d 1966).<\/p>\n\n\n\n<p>Noto a livello planetario per \u201cGarota de Ipanema\u201d, pubblicata nel 1962, scritta con Antonio Carlos Jobim. Nel 1962 la Bossa nova era stata abbracciata da molti jazzisti statunitensi, come Herbie Mann, Charlie Byrd e Stan Getz, che invit\u00f2 Gilberto e Jobim a collaborare su quello che divenne uno degli album jazz pi\u00f9 venduti di tutti i tempi, \u201cGetz\/Gilberto\u201d. Grazie a questo disco, la moglie di Gilberto, Astrud, riscosse un successo internazionale e la composizione di Jobim e Moraes, \u201cGarota de Ipanema (The Girl From Ipanema)\u201d, interpretata proprio da Astrud, fino a qualche tempo prima semplice casalinga, divenne un\u2019icona della musica pop di tutti i tempi.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Manuel M. Buccarella Vinicius de Moraes \u00e8 stato un cantautore, musicista, scrittore e diplomatico brasiliano. Con Ant\u00f4nio Carlos Jobim scrive nel 1958 \u201cChega de saudade\u201d, portata al successo da Jo\u00e3o Gilberto con Bim-bom sul lato B del 78 giri, considerata il brano che ha dato inizio alla Bossa nova brasiliana.La Bossa nova viene fuori, verso [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":6622,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[1927,338,3354,3353,2156],"class_list":["post-6621","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-musica","tag-bossa-nova","tag-brasile","tag-ipanema","tag-moraes","tag-vinicius-de-moraes"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Vinicius de Moraes, tra Bossa Nova e diplomazia - NonSoloMusicaMagazine<\/title>\n<meta name=\"description\" content=\"Vinicius de Moraes, tra Bossa Nova e diplomazia\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.nonsolomusicamagazine.it\/?p=6621\" \/>\n<meta property=\"og:locale\" content=\"it_IT\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Vinicius de Moraes, tra Bossa Nova e diplomazia - NonSoloMusicaMagazine\" \/>\n<meta property=\"og:description\" content=\"Vinicius de Moraes, tra Bossa Nova e diplomazia\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.nonsolomusicamagazine.it\/?p=6621\" \/>\n<meta property=\"og:site_name\" content=\"NonSoloMusicaMagazine\" \/>\n<meta property=\"article:published_time\" content=\"2024-07-09T15:40:41+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-07-09T15:40:42+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.nonsolomusicamagazine.it\/wp-content\/uploads\/2024\/07\/Vinicius.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"800\" \/>\n\t<meta property=\"og:image:height\" content=\"800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"nonsolomusica\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Scritto da\" \/>\n\t<meta name=\"twitter:data1\" content=\"nonsolomusica\" \/>\n\t<meta name=\"twitter:label2\" content=\"Tempo di lettura stimato\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minuti\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.nonsolomusicamagazine.it\\\/?p=6621#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.nonsolomusicamagazine.it\\\/?p=6621\"},\"author\":{\"name\":\"nonsolomusica\",\"@id\":\"https:\\\/\\\/www.nonsolomusicamagazine.it\\\/#\\\/schema\\\/person\\\/a3349ad02300d046472d46cf6d31ae46\"},\"headline\":\"Vinicius de Moraes, tra Bossa Nova e diplomazia\",\"datePublished\":\"2024-07-09T15:40:41+00:00\",\"dateModified\":\"2024-07-09T15:40:42+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.nonsolomusicamagazine.it\\\/?p=6621\"},\"wordCount\":378,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/www.nonsolomusicamagazine.it\\\/?p=6621#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.nonsolomusicamagazine.it\\\/wp-content\\\/uploads\\\/2024\\\/07\\\/Vinicius.jpg\",\"keywords\":[\"bossa nova\",\"Brasile\",\"Ipanema\",\"Moraes\",\"Vinicius de Moraes\"],\"articleSection\":[\"Musica\"],\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.nonsolomusicamagazine.it\\\/?p=6621#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.nonsolomusicamagazine.it\\\/?p=6621\",\"url\":\"https:\\\/\\\/www.nonsolomusicamagazine.it\\\/?p=6621\",\"name\":\"Vinicius de Moraes, tra Bossa Nova e diplomazia - NonSoloMusicaMagazine\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.nonsolomusicamagazine.it\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.nonsolomusicamagazine.it\\\/?p=6621#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.nonsolomusicamagazine.it\\\/?p=6621#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.nonsolomusicamagazine.it\\\/wp-content\\\/uploads\\\/2024\\\/07\\\/Vinicius.jpg\",\"datePublished\":\"2024-07-09T15:40:41+00:00\",\"dateModified\":\"2024-07-09T15:40:42+00:00\",\"author\":{\"@id\":\"https:\\\/\\\/www.nonsolomusicamagazine.it\\\/#\\\/schema\\\/person\\\/a3349ad02300d046472d46cf6d31ae46\"},\"description\":\"Vinicius de Moraes, tra Bossa Nova e diplomazia\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.nonsolomusicamagazine.it\\\/?p=6621#breadcrumb\"},\"inLanguage\":\"it-IT\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.nonsolomusicamagazine.it\\\/?p=6621\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.nonsolomusicamagazine.it\\\/?p=6621#primaryimage\",\"url\":\"https:\\\/\\\/www.nonsolomusicamagazine.it\\\/wp-content\\\/uploads\\\/2024\\\/07\\\/Vinicius.jpg\",\"contentUrl\":\"https:\\\/\\\/www.nonsolomusicamagazine.it\\\/wp-content\\\/uploads\\\/2024\\\/07\\\/Vinicius.jpg\",\"width\":800,\"height\":800},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.nonsolomusicamagazine.it\\\/?p=6621#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.nonsolomusicamagazine.it\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Vinicius de Moraes, tra Bossa Nova e diplomazia\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.nonsolomusicamagazine.it\\\/#website\",\"url\":\"https:\\\/\\\/www.nonsolomusicamagazine.it\\\/\",\"name\":\"Nonsolomusicamagazine\",\"description\":\"Dir. responsabile Manuel M Buccarella\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.nonsolomusicamagazine.it\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"it-IT\"},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.nonsolomusicamagazine.it\\\/#\\\/schema\\\/person\\\/a3349ad02300d046472d46cf6d31ae46\",\"name\":\"nonsolomusica\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"it-IT\",\"@id\":\"https:\\\/\\\/www.nonsolomusicamagazine.it\\\/wp-content\\\/litespeed\\\/avatar\\\/3a675484bc84db6aba78d43bfc8b7197.jpg?ver=1778090577\",\"url\":\"https:\\\/\\\/www.nonsolomusicamagazine.it\\\/wp-content\\\/litespeed\\\/avatar\\\/3a675484bc84db6aba78d43bfc8b7197.jpg?ver=1778090577\",\"contentUrl\":\"https:\\\/\\\/www.nonsolomusicamagazine.it\\\/wp-content\\\/litespeed\\\/avatar\\\/3a675484bc84db6aba78d43bfc8b7197.jpg?ver=1778090577\",\"caption\":\"nonsolomusica\"},\"sameAs\":[\"https:\\\/\\\/www.nonsolomusicamagazine.it\"],\"url\":\"https:\\\/\\\/www.nonsolomusicamagazine.it\\\/?author=1\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Vinicius de Moraes, tra Bossa Nova e diplomazia - NonSoloMusicaMagazine","description":"Vinicius de Moraes, tra Bossa Nova e diplomazia","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.nonsolomusicamagazine.it\/?p=6621","og_locale":"it_IT","og_type":"article","og_title":"Vinicius de Moraes, tra Bossa Nova e diplomazia - NonSoloMusicaMagazine","og_description":"Vinicius de Moraes, tra Bossa Nova e diplomazia","og_url":"https:\/\/www.nonsolomusicamagazine.it\/?p=6621","og_site_name":"NonSoloMusicaMagazine","article_published_time":"2024-07-09T15:40:41+00:00","article_modified_time":"2024-07-09T15:40:42+00:00","og_image":[{"width":800,"height":800,"url":"https:\/\/www.nonsolomusicamagazine.it\/wp-content\/uploads\/2024\/07\/Vinicius.jpg","type":"image\/jpeg"}],"author":"nonsolomusica","twitter_card":"summary_large_image","twitter_misc":{"Scritto da":"nonsolomusica","Tempo di lettura stimato":"3 minuti"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.nonsolomusicamagazine.it\/?p=6621#article","isPartOf":{"@id":"https:\/\/www.nonsolomusicamagazine.it\/?p=6621"},"author":{"name":"nonsolomusica","@id":"https:\/\/www.nonsolomusicamagazine.it\/#\/schema\/person\/a3349ad02300d046472d46cf6d31ae46"},"headline":"Vinicius de Moraes, tra Bossa Nova e diplomazia","datePublished":"2024-07-09T15:40:41+00:00","dateModified":"2024-07-09T15:40:42+00:00","mainEntityOfPage":{"@id":"https:\/\/www.nonsolomusicamagazine.it\/?p=6621"},"wordCount":378,"commentCount":0,"image":{"@id":"https:\/\/www.nonsolomusicamagazine.it\/?p=6621#primaryimage"},"thumbnailUrl":"https:\/\/www.nonsolomusicamagazine.it\/wp-content\/uploads\/2024\/07\/Vinicius.jpg","keywords":["bossa nova","Brasile","Ipanema","Moraes","Vinicius de Moraes"],"articleSection":["Musica"],"inLanguage":"it-IT","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.nonsolomusicamagazine.it\/?p=6621#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.nonsolomusicamagazine.it\/?p=6621","url":"https:\/\/www.nonsolomusicamagazine.it\/?p=6621","name":"Vinicius de Moraes, tra Bossa Nova e diplomazia - NonSoloMusicaMagazine","isPartOf":{"@id":"https:\/\/www.nonsolomusicamagazine.it\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.nonsolomusicamagazine.it\/?p=6621#primaryimage"},"image":{"@id":"https:\/\/www.nonsolomusicamagazine.it\/?p=6621#primaryimage"},"thumbnailUrl":"https:\/\/www.nonsolomusicamagazine.it\/wp-content\/uploads\/2024\/07\/Vinicius.jpg","datePublished":"2024-07-09T15:40:41+00:00","dateModified":"2024-07-09T15:40:42+00:00","author":{"@id":"https:\/\/www.nonsolomusicamagazine.it\/#\/schema\/person\/a3349ad02300d046472d46cf6d31ae46"},"description":"Vinicius de Moraes, tra Bossa Nova e diplomazia","breadcrumb":{"@id":"https:\/\/www.nonsolomusicamagazine.it\/?p=6621#breadcrumb"},"inLanguage":"it-IT","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.nonsolomusicamagazine.it\/?p=6621"]}]},{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.nonsolomusicamagazine.it\/?p=6621#primaryimage","url":"https:\/\/www.nonsolomusicamagazine.it\/wp-content\/uploads\/2024\/07\/Vinicius.jpg","contentUrl":"https:\/\/www.nonsolomusicamagazine.it\/wp-content\/uploads\/2024\/07\/Vinicius.jpg","width":800,"height":800},{"@type":"BreadcrumbList","@id":"https:\/\/www.nonsolomusicamagazine.it\/?p=6621#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.nonsolomusicamagazine.it\/"},{"@type":"ListItem","position":2,"name":"Vinicius de Moraes, tra Bossa Nova e diplomazia"}]},{"@type":"WebSite","@id":"https:\/\/www.nonsolomusicamagazine.it\/#website","url":"https:\/\/www.nonsolomusicamagazine.it\/","name":"Nonsolomusicamagazine","description":"Dir. responsabile Manuel M Buccarella","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.nonsolomusicamagazine.it\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"it-IT"},{"@type":"Person","@id":"https:\/\/www.nonsolomusicamagazine.it\/#\/schema\/person\/a3349ad02300d046472d46cf6d31ae46","name":"nonsolomusica","image":{"@type":"ImageObject","inLanguage":"it-IT","@id":"https:\/\/www.nonsolomusicamagazine.it\/wp-content\/litespeed\/avatar\/3a675484bc84db6aba78d43bfc8b7197.jpg?ver=1778090577","url":"https:\/\/www.nonsolomusicamagazine.it\/wp-content\/litespeed\/avatar\/3a675484bc84db6aba78d43bfc8b7197.jpg?ver=1778090577","contentUrl":"https:\/\/www.nonsolomusicamagazine.it\/wp-content\/litespeed\/avatar\/3a675484bc84db6aba78d43bfc8b7197.jpg?ver=1778090577","caption":"nonsolomusica"},"sameAs":["https:\/\/www.nonsolomusicamagazine.it"],"url":"https:\/\/www.nonsolomusicamagazine.it\/?author=1"}]}},"amp_enabled":true,"_links":{"self":[{"href":"https:\/\/www.nonsolomusicamagazine.it\/index.php?rest_route=\/wp\/v2\/posts\/6621","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.nonsolomusicamagazine.it\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.nonsolomusicamagazine.it\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.nonsolomusicamagazine.it\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.nonsolomusicamagazine.it\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6621"}],"version-history":[{"count":0,"href":"https:\/\/www.nonsolomusicamagazine.it\/index.php?rest_route=\/wp\/v2\/posts\/6621\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.nonsolomusicamagazine.it\/index.php?rest_route=\/wp\/v2\/media\/6622"}],"wp:attachment":[{"href":"https:\/\/www.nonsolomusicamagazine.it\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6621"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.nonsolomusicamagazine.it\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6621"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.nonsolomusicamagazine.it\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6621"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}